Chris Christian - Higher Ways

I have to admit I have never been a big fan of Inspirational Pop (the notable exception being Dallas Holm.  If not for him, I wouldn't have discovered most of the CCM I enjoy now.)  By and large, I've found most music of this variety to be, well, dull at best.  That being said, I love Chris Christian's 1987 release Higher Ways.

Several of my favorite artists were on Christian's record label, Home Sweet Home (Dan Peek, Mark Heard, Whiteheart,) but I never cared for his albums. His songs that I heard on the radio, and sung in church, just didn't reach me, so I never gave him much thought.  Then I heard "Day Like Today" on my local radio station, and, although it wasn't a big stretch from what he had done before, something in me said "you needed to hear that," and as soon as I could I picked up the cassette (which I still own, and, oddly enough, it still plays.  Not bad for a 26 year old cassette.)

Every song here is a winner, even the overly sentimental "Still In Love" and the "I know I've heard this before" vibe of "White Are The Fields." (just try not to sing Toto's "Africa" while listening to that one.) It's hard to pick a favorite, because each song means a lot to me.  At that time of my life, I needed to hear songs like "Promises," "Cast Your Cares," and, especially, "He Won't Unlove You"  I still need to hear them today.

Higher Ways is a perfect little slice of 80's Pop.  While it's certainly polished to a fine sheen, Christian added a little more "edge" to it, and, as evidenced by the cover (where he does his finest Miami Vice imitation,) he was trying to market this to a younger crowd.

He Won't Unlove You

Cast Your Cares

Day Like Today

Still In Love

It's been a while, so here's a little bookmark to let you know I'm still here, and I will return with more album reviews and band information soon.

My Limited edition of Sweet Comfort Band's latest takes it's position of honor on my book shelf, right between Daniel Amos' "Alarma Chronicles" book set and my Rubik's cube.

If you still haven't checked out SCB, here's the link again:

http://officialsweetcomfortband.com/subdirectory/?albums=the-waiting-is-over

Sweet Comfort Band - The Waiting Is Over

Yes, the waiting truly is over, at last!  Sweet Comfort Band returns 28 years(!) after the release of their last album, "Perfect Timing," and sound as if no time has passed at all.  They have not seen fit to "update" their sound to better fit the current musical landscape. That's not a criticism, but a sigh of relief!  This is the same great Jazz inflected Rock they were always known for.  Fans of Toto, Chicago or Styx will find a lot to enjoy here.

The band is still Bryan Duncan, Randy Thomas and Rick Thomson, with Elijah Thomson filling in for his father, original member Kevin Thomson, who passed away in 2010.  Bryan, Randy and Rick all share in songwriting duties, delivering 11 songs that are arguably the best they've ever done.  The musicianship and vocals, always stellar, still are.

Highlights for me are "Lay It All On The Line," a fun, jazzy, Donald Fagen influenced tune that serves to "introduce" the band members, and the Toto vibe of  "Something Else Is Going On Here," but really the whole album is excellent.  At no point did I feel compelled to skip a song.

It's hard to pick an absolute favorite tune here, but if I had to it would be "In The Light Of Heaven," a beautiful song about a loved one (Kevin) who has gone on to be with God.  This is a song that will mean a lot to anyone who has lost someone dear to them.

In these days of "musical pablum," real bands that create real music are rare.  These guys should have your support.  If you're already a fan, you need to pick up "The Waiting Is Over."  If you've never heard SCB, check them out.  I think you'll be pleasantly surprised.

Many thanks to Alice Thomson for the opportunity to hear this album in it's entirety!

You can hear song samples and find out when and where to purchase the album here: http://officialsweetcomfortband.com/subdirectory/?albums=the-waiting-is-over

The album is not for sale just yet, but this will be the website to check out!

Albums you may have missed the first time around (but really need to hear,) Part 1

Zilch - Platinum (Gotee Records, 1997)

Every so often a band comes along that doesn't appear to have much to offer, records one or two albums that no one much likes, then breaks up only to be reborn shortly thereafter as a great band. (i.e. dull, listless Iron Maiden clones Lightforce became the amazing Mortification.)  In the case of Zilch, the opposite is kind of true (depending on how you feel about the band they became):  One amazing album, 1997's Platinum, and the band morphed into the far less original and interesting cookie cutter worship outfit SONICFLOOd.  (No offense at all meant to SONICFLOOd fans.  The band just doesn't hold my attention.)

Starting life as DC Talk's touring band, the band featured  Mark Townsend (guitars, vocals,)  Otto Price (Bass, Vocals) and Jason Halbert (keyboards, vocals.)  All three went on to become producers, with Townsend being particularly well known.

The album's influences are obvious, but it is so original as a whole, they are not a distraction.  There are elements of DC Talk, of course.  "Everything" has a definite Police vibe.  "Here We Go" sounds like it got lost from a Ty Tabor solo project.  There are great moments of "studio patter" scattered throughout.  Ther cover of the old Schoolhouse Rock song "My Hero, Zero," is great as well.

All in all, there's no dud on the disc.  It's the type of release that leaves you wanting to hear more from the band.  Sadly, there is no more, but if you're a fan of modern Rock/Pop, and can track this one down, do yourself a favor and grab it up.

Info:  http://www.jesusfreakhideout.com/jfhblog/template_permalink.asp?id=621

Rum-Pa-Pum-Pum!!

Let's face it, some Christmas Carols are rooted in tradition rather than theological accuracy.  Scripture says nothing about there being only three wise men, the herald angels didn't sing, it's quite doubtful that the nativity was silent, ("No crying He makes?"  Really?  One wonders if the author had ever been around a newborn baby.)  and there was no little boy with a drum, anywhere in the narrative. (And "Joy To The World" is actually about when Christ returns to set up His eternal kingdom, but that's a different situation.)

But traditions and inaccuracies don't take away from the enjoyment of these songs, in my opinion.  From Sparrow Records late 1980's Christmas album, Whiteheart's quasi-metal take on "Little Drummer Boy" is without doubt the best version I have ever heard.

It's Christmastime...Again!

Around the turn of the century (this one) Crystal Lewis released her Holiday CD, a collection of Christmas standards that was a throwback to the jazzy Christmas albums of yore.  Pure joy to listen too!

Wonderful Christmastime

To begin with, I'm well aware that Paul McCartney's quirky, New Wave Pop-Synth experiment provokes visceral reactions in most.  I actually enjoy it, but that's probably because of nostalgia and affection for McCartney rather than a true appreciation for the song.  (My argument has always been, if you don't like Wonderful Christmastime, flip the 45 over and listen to the b-side, Rudolph The Red Nosed Reggae, and you'll think Wonderful Christmastime is a classic.)

Anyway, Jars of Clay dug deep and found a real song buried under all the spacey synthesizers.  They turned a song that could produce violence in some into a nice contemplative offering, and it's one of my favorites off their Christmas Songs CD.